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The Reader

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The Reader

Artist (1938 - 2020)
Date1967
MediumOil on canvas in artist's frame
DimensionsFramed: 41 1/8 × 61 1/8 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2019.23
Signedl.l., in red paint: AMOS
Accession number 2019.23
On View
On view
ProvenanceArtist; to (RYAN LEE Gallery LLC, New York, NY); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2019
Label TextPictured at the bottom of an otherwise abstract composition, a reclining woman reads. Created during the 1960s as part of a suite of works she referred to as her “attitude paintings,” The Reader equally balanced Amos’s interest in abstraction and the figure. These early works allowed her to explore the significance of color as it relates to the Black female body, a subject that went on to become a primary focus of her artmaking in future decades.

Representada en la parte inferior de una composición por lo demás abstracta, una mujer lee. Creada durante la década de 1960 como parte de un conjunto de obras a las que la artista se refirió como sus “pinturas de actitud”, La lectora presenta un equilibrio entre el interés de Amos por la abstracción y la figuración. Estas obras le permitieron explorar el significado del color en relación con el cuerpo de la mujer negra, un tema que se convirtió en un foco principal de su producción artística en décadas posteriores.
Photography by Edward C. Robison III.
Emma Amos
1980
Photography by Edward C. Robison III.
Gary Thomas Erbe
2012
Photography by Edward C. Robison III.
Carmen Herrera
1965
Photography by Edward C. Robison III
Tom Uttech
2009
Image courtesy of the artist. Photo: Jordan Spencer.
Suchitra Mattai
2019
Photography by Robert LaPrelle
Mary Cassatt
1877
Photography by Edward C. Robison III
Emil Lukas
2012
Photography by Edward C. Robison III.
Titus Kaphar
2017
Photography by Edward C. Robison III
Nathaniel Mary Quinn
2019
Photography by Edward C. Robison III.
Genesis Tramaine
2020