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Corn and Cantaloupe

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Photography by Dwight Primiano
Corn and Cantaloupe
Photography by Dwight Primiano

Corn and Cantaloupe

Artist (1774 - 1825)
Dateca. 1813
MediumOil on panel
Dimensions14 1/2 x 19 1/2 in. (36.8 x 49.5 cm)
Framed: 20 3/8 × 25 3/8 × 2 1/8 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2007.223
Accession number 2007.223
On View
On view
Collections
Provenanceto Dr. Benjamin Lee [1791-1863], Oak Hill, Prince George's County, MD; by descent to Eleanor Belt Lee (his wife), 1863; to Violetta Lee Harding [d. 1910] (her daughter), 1865; by bequest to Eleanora Belt (her sister), 1910; to Benjamin Lee Belt (her son), 1915; William Seton Belt [d. 1959] (his brother), 1935; to Estate of William Seton Belt, 1959; traded to Fredus Proctor, Shady Side, MD, 1959; (Robert Campbell's Auction, Annapolis, MD), early 1970s; purchased by Eric Young, Crownsville, MD, early 1970s; (Harris Auction Gallery, Baltimore, MD), June 14, 1987 (as Early Still Life on Panel); purchased by (John's Antiques, Baltimore, MD), 1987; to Private Collection, 1989; Private Collection; to (Christie's, New York, NY), November 29, 2007, sale 1911, lot 91; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2007
Label TextRaphaelle Peale’s Corn and Cantaloupe contains both recognizable national symbols and personal associations for the artist. When the painting was first shown in Philadelphia in 1814, viewers would have recognized the prominently placed corn as a crop specific to the Americas and an icon of early American history and stories.

The array of vegetables and fruit in the painting were cultivated on farms and in hothouses near the artist’s family home. The cantaloupe, an Anne Arundel melon, was named after the Maryland County where Peale’s mother was born.

Maíz y melón de Raphaelle Peale contiene tanto símbolos nacionales reconocibles como objetos de carácter personal para el artista. Cuando la pintura fue exhibida por primera vez en Filadelfia en 1814, los espectadores hubieran reconocido el maíz que protagoniza esta pintura como un cultivo específico de las Américas y un símbolo del comienzo de la historia y el folclor de los Estados Unidos.

La variedad de vegetales y frutas en esta pintura fueron cultivados en granjas e invernaderos cerca al hogar de la familia del artista. El melón de la variedad Anne Arundel, recibió su nombre por el condado de Maryland en el que nació la madre de Peale.

Photography by Edward C. Robison III.
Charles Willson Peale
ca. 1780-1782
Photography by Edward C. Robison III.
Rembrandt Peale
1846
Corn Stalk
Frederick M. Coffin
1860
Photography by Edward C. Robison III
Nathaniel Mary Quinn
2019
Photography by Dwight Primiano
Charles Frederic Ulrich
1883
Photography by Dwight Primiano
Albert Pinkham Ryder
ca. 1885
Photography by Dwight Primiano
Joseph Decker
n.d.
Photography by Dwight Primiano
Thomas Wilmer Dewing
ca. 1904-1905
Photography by Edward C. Robison III
Theodoros Stamos
1945
Photography by Edward C. Robison III
Max Ferguson
2006