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Silver Upper White River

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Silver Upper White River

Artist (born 1959)
Date2015
MediumRecycled silver
Dimensions131 in. × 20 ft. × 3/8 in. (332.7 × 609.6 × 1 cm)
ClassificationsSculpture
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2015.14
Accession number 2015.14
On View
On view
ProvenanceCommissioned through (Pace Gallery, New York, NY) by Crystal Bridges Museum of American Art, Bentonville, AR, 2015
Label TextThis sculpture represents the upper portion of the White River, a major waterway running 722 miles through Arkansas and Missouri. Beaver Lake, a manmade reservoir on the White River about twenty miles east of Crystal Bridges, serves as the source for drinking water in much of Northwest Arkansas. You can find the shape of Beaver Lake on the far left of the sculpture. The artist chose the medium—recycled silver—because when Europeans originally arrived in the Americas, there were so many fish in the streams that the reflections off of their backs gave rise to the term “running silver.”

Maya Lin first gained fame for her winning design for the Vietnam Veterans Memorial in Washington, DC, while she was still an architecture student. Today, her art focuses on humanity’s interaction with nature, underlining our collective responsibility to protect and preserve the world around us.

Esta escultura representa la sección superior del río White, una importante vía navegable que fluye por más de 1000 km entre Arkansas y Missouri. El lago Beaver, una reserva hecha por el hombre en el río White a unos 30 km de Crystal Bridges, sirve como fuente de agua potable en gran parte el noroeste de Arkansas. Puede verse la forma del lago Beaver en el extremo izquierdo de esta cultura. La artista eligió este medio —plata reciclada— porque cuando los europeos llegaron por primera vez a las Américas, había tantos peces en los ríos que el reflejo de sus lomos dio origen al término “flujo de plata”.

Maya Lin saltó a la fama por su diseño ganador para el Monumento a los Veteranos de Vietnam en Washington D.C., cuando todavía era estudiante de arquitectura. Hoy en día, su arte se centra en la interacción de la humanidad con la naturaleza, poniendo de relieve nuestra responsabilidad colectiva de proteger y preservar el mundo que nos rodea.

Photography by Edward C. Robison III.
Brett Weston
1945, printed later
Photography by Edward C. Robison III.
Brett Weston
ca. 1945
Photography by Edward C. Robison III.
Brett Weston
1946, printed later
Photography by Edward C. Robison III.
Brett Weston
1946, printed later
Photography by Edward C. Robison III.
Brett Weston
ca. 1940
Photography by Edward C. Robison III
Martin Johnson Heade
ca. 1870
Photography by Edward C. Robison III
Seymour Lipton
1975
Photo: Andy Hope.
Laurel Roth Hope
2013