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Young Marsyas (Marsyas Enchanting the Hares)

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Photography by Edward C. Robison III
Young Marsyas (Marsyas Enchanting the Hares)
Photography by Edward C. Robison III

Young Marsyas (Marsyas Enchanting the Hares)

Artist (1836 - 1923)
Date1878
MediumOil on canvas
Dimensions37 1/4 x 53 3/4 in. (94.6 x 136.5 cm)
Framed: 43 1/4 in. × 59 in. × 2 3/4 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2013.7
Signedl.l.: Elihu Vedder Rome 1878
Accession number 2013.7
On View
Not on view
Provenanceto Francis W. Tracy [d. 1886], Buffalo, NY, 1879; by bequest to Agnes Ethel Tracy Roudebush (his wife) [1846-1903], Buffalo, NY, 1886; by bequest to Agnes Roudebush Henderson (her second husband's niece), New York, NY, 1903; to (Parke-Bernet Galleries, New York, NY), April 20-22, 1943, lot 347; purchased by (Renaissance Art Gallery, New York, NY), 1943; to Rudolph Berger, New York, NY; by descent to Carole L. Berger (his daughter), New York, NY [d. 2011]; by descent to Private Collection, 2011; to (Sotheby’s, New York, NY), April 11, 2013, lot 63; purchased by Crystal Bridges Museum of American Art, Bentonville, AR 2013
Label TextThe subject for Young Marsyas comes from classical Greek mythology. Marsyas was a satyr, or half-man, half-goat, who challenged the god Apollo to a contest of musical skills. While preparing for the contest, Apollo made the trees and stones come to hear him play his lyre—an instrument similar to a harp. Vedder imagined Marsyas practicing his double flute for the hares.

El tema del Joven Marsias proviene de la mitología clásica griega. Marsias era un sátiro, mitad hombre, mitad macho cabrío, que desafió al dios Apolo en una competencia de habilidades musicales. Mientras se preparaba para la competencia, Apolo hizo que los árboles y las piedras fueran a escucharlo tocar la lira, un instrumento parecido al arpa. Vedder imaginó a Marsias practicando con su flauta doble para las liebres.
Markingsverso, on backing: Young Marsyas [old handwritten label]
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