Skip to main content

Indian Encampment

Collections Menu
Photography by Amon Carter Museum of American Art
Indian Encampment
Photography by Amon Carter Museum of American Art

Indian Encampment

Artist (1830 - 1902)
Date1862
MediumOil on canvas
Dimensions20 × 28 in. (50.8 × 71.1 cm)
Framed: 31 1/2 in. × 39 3/4 in. × 4 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2010.69
Signedl.r.: ABierstadt / 1862
Accession number 2010.69
On View
On view
ProvenanceHugh N. Camp [1827-1895], New York, NY; to John McKesson Camp (his son), New York, NY; to Gregory N. Camp [1898-1973] (his son), Watch Hill, RI; to Edith S. Campbell Camp (his wife); to (Sotheby Parke Bernet, New York, NY), April 25, 1980, lot 142; (O'Meara Gallery, Santa Fe, NM); (Jim Fowler's Period Gallery West, Scottsdale, AZ); to William C. Foxley [b. 1935], Denver, CO, 1982; John F. Eulich, Dallas, TX; (Sotheby's, New York, NY), The American West: The John F. Eulich Collection, May 20, 1998, lot 46; purchased by Richard A. Manoogian [b. 1936], Detroit, MI, 1998; purchased by a private foundation for Crystal Bridges Museum of American Art, Bentonville, AR, 2004
Label TextAlbert Bierstadt encountered many Plains tribes on his first journey west in 1859. This painting, completed later in his New York studio, is not a scene he witnessed firsthand, but rather one created from his imagination and informed by cultural attitudes of the mid-nineteenth century. This type of image of Plains Indians bathed in sunset was so widespread that it conveyed a misconception that American Indians were a vanishing race—an erroneous belief that continues today.

Albert Bierstadt conoció muchas tribus de las Llanuras durante su primer viaje hacia el oeste en 1859. Esta pintura, completada posteriormente en su estudio de Nueva York, no es una escena presenciada de primera mano, sino imaginada por el artista y fundada en las actitudes culturales de mediados del siglo XIX. Este tipo de imagen del indígena de las Llanuras, iluminado por el sol poniente, fue tan generalizada que dio lugar a la creencia de que los indígenas iban camino de la extinción: una creencia errónea que continúa existiendo hoy.

Photography by Steven Watson
Albert Bierstadt
n.d.
Photography by Steven Watson
Albert Bierstadt
ca. 1863
Photography by Dwight Primiano
George Catlin
ca. 1852-1859
Photography by Dwight Primiano
Albert Pinkham Ryder
ca. 1885
Photography by Dwight Primiano
Albert Pinkham Ryder
ca. 1880
Photography by Edward C. Robison III.
Albert Potter
ca. 1935
Photography by Edward C. Robison III
Albert Heckman
1938
Photography by Edward C. Robison III.
Albert Bloch
1913
Photography by Edward C. Robison III.
Albert Heckman
1932