Skip to main content

The Art Student (James Wright)

Collections Menu
Photography by Dwight Primiano
The Art Student (James Wright)
Photography by Dwight Primiano

The Art Student (James Wright)

Artist (1844 - 1916)
Date1890
MediumOil on canvas
Dimensions42 × 32 in. (106.7 × 81.3 cm)
Framed: 54 × 44 × 2 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.80
Signedu.l.: Eakins 1890 verso: T.E
Accession number 2006.80
On View
On view
ProvenanceSusan Mcdowell Eakins [1851-1938] (Artist's wife), 1916; James Wright (the sitter), Brooklyn, NY, by 1930; to George Wright (his nephew), Drexel Hill, PA; Mrs. Jacob H. Rand, New York, NY, 1940s; (Milch Galleries, New York, NY); Caroline Ryan Foulke [1910-1987], New York, NY and Palm Beach, FL; to (Sotheby's, New York, NY), May 1987; purchased by Richard A. Manoogian [b. 1936], Detroit, MI, 1987; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2006
Label TextThomas Eakins painted several portraits of his pupils at the Art Students League in Philadelphia, including this one of James Wright. Set against a dark background, Wright’s head and hands are illuminated, highlighting the mental and manual aspects of artmaking. The red fabric square in the student’s breast pocket gestures to a third element required for creative work, the heart.

Eakins was a passionate educator, though his unconventional teaching methods, including allowing female students to draw from male nude models in figure-drawing courses, ultimately led to his dismissal.


Thomas Eakins pintó varios retratos de sus estudiantes en el la Liga de Estudiantes de Arte en Filadelfia. Entre ellos, creó este retrato de James Wright. El trasfondo oscuro, y la iluminación de las manos y la cabeza de Wright, resaltan el aspecto mental y manual de la creación de obras de arte. El retazo cuadrado de tela roja en el bolsillo de la camisa del estudiante señala a un tercer elemento necesario para el trabajo creativo: el corazón.

Eakins era un educador apasionado. Sus inusuales métodos de enseñanza (entre los cuales estaba el permitir que las alumnas dibujaran mirando a un modelo desnudo en los cursos de dibujo anatómico) resultaron en su despido.
Photography by Steven Watson
Thomas Eakins
ca. 1908
Photography by Edward C. Robison III
Thomas Eakins
modeled ca. 1882, cast 1979
Photography by Dwight Primiano
Thomas Hart Benton
1930
Photography by Dwight Primiano
Thomas Cole
1842
Photography by Edward C. Robison III
Thomas Hill
1884
Photography by Edward C. Robison III.
Gary Thomas Erbe
2012
Photography by Steven Watson
Thomas Waterman Wood
1887