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The Terminal

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Photography by Edward C. Robison III
The Terminal
Photography by Edward C. Robison III

The Terminal

Artist (1864 - 1946)
Date1892, printed 1920-1939
MediumGelatin silver print
Dimensions3 1/16 x 4 in. (7.8 x 10.2 cm)
Framed: 16 3/4 x 20 3/4 x 1 1/8 in. (42.5 x 52.7 x 2.9 cm)
ClassificationsPhotograph
Credit LineAlfred Stieglitz Collection, Co-owned by Fisk University, Nashville, Tennessee, and Crystal Bridges Museum of American Art, Bentonville, Arkansas
Accession number ASC.2012.81
On View
Not on view
ProvenanceArtist; by bequest to Georgia O’Keeffe (Artist’s wife), New York, NY, 1946; to Fisk University, Nashville, TN, 1949; to Fisk University, Nashville, TN, and Crystal Bridges Museum of American Art, Bentonville, AR, as co-owners, 2012
Label TextTraditionally trained with a bulky, large-format camera that required a tripod for stabilization, The Terminal was one of Stieglitz’s first photographs using a portable, hand-held Graflex camera, borrowed from friend and fellow photographer William B. Post. The negatives he was able to produce, regardless of the relatively slow plates, were enough to convince Stieglitz of the benefits provided by the camera. Soon after, he purchased his own Graflex and used it for the majority of his career, notably to produce his Equivalents.
Photography by Edward C. Robison III
Alfred Stieglitz
1920
Photography by Edward C. Robison III
Alfred Stieglitz
1921
Photography by Edward C. Robison III
Alfred Stieglitz
1924
Photography by Edward C. Robison III
Alfred Stieglitz
1925
Photography by Edward C. Robison III
Alfred Stieglitz
1925
Photography by Edward C. Robison III
Alfred Stieglitz
1926
Photography by Edward C. Robison III
Alfred Stieglitz
1926
Photography by Edward C. Robison III
Alfred Stieglitz
1932