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Photography by Edward C. Robison III.
Soundsuit
Photography by Edward C. Robison III.

Soundsuit

Artist (born 1959)
Date2009
MediumFabric with appliquéd crochet and buttons, knitted yarn, and metal armature
Dimensions97 x 26 x 20 in. (246.4 x 66 x 50.8 cm)
ClassificationsMixed Media
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2010.59
Accession number 2010.59
On View
On view
Collections
Provenanceto (Jack Shainman Gallery, New York, NY), 2009; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2010
Label TextNick Cave’s celebrated Soundsuits series serves as a tool of liberation. First conceived following the 1991 killing of Rodney King, the initial suit functioned almost as a form of armor against the outside world. More than just stagnant sculptures, these are objects made to be worn. Cave choreographed performances in which dancers wore these elaborate outfits, drawing from African ceremonial practices as well as contemporary theater and street pageantry. The adorned objects, including the hundreds of hand-attached buttons here, become sonically animated when put in motion through dance—hence the name Soundsuit.





La famosa serie Trajes sonoros de Nick Cave sirve como herramienta de liberación. Concebida inicialmente tras el asesinato de Rodney King en 1991, el traje inicial funcionaba casi como una forma de armadura contra el mundo exterior. Más que simples esculturas estáticas, estos son objetos hechos para ser usados. Cave coreografió actuaciones en las que los bailarines llevaban estos elaborados trajes, inspirándose en las prácticas ceremoniales africanas, así como en el teatro contemporáneo y los desfiles callejeros. Los objetos adornados, entre los que se incluyen los cientos de botones cosidos a mano, cobran vida sonora cuando se ponen en movimiento a través de la danza, de ahí el nombre de Traje sonoro.
Photography by Edward C. Robison III.
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2010
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Photography by Edward C. Robison III.
unknown Ojibwe
ca. 1880
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