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A Tight Fix—Bear Hunting, Early Winter [The Life of a Hunter: A Tight Fix]

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Photography by Edward C. Robison III.
A Tight Fix—Bear Hunting, Early Winter [The Life of a Hunter: A Tight Fix]
Photography by Edward C. Robison III.

A Tight Fix—Bear Hunting, Early Winter [The Life of a Hunter: A Tight Fix]

Artist (1819 - 1905)
Date1856
MediumOil on canvas
Dimensions40 x 60 in. (101.6 x 152.4 cm)
Framed: 58 1/2 in. × 78 1/4 in. × 7 in.
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2010.72
Signedl.r., in red paint: A F Tait / NY 56
Accession number 2010.72
On View
On view
Provenancepurchased for $500 by J. Campbell, Pacific Bank, San Francisco, CA, November 1856; Redlands Elk Lodge, Redlands, CA, ca. 1911-1968; (Kennedy Galleries, New York, NY), 1971; Tempel Steel Company, Chicago, IL, 1974; (Szymanski Gallery, Pasadena, CA), 1980; purchased by Richard A. Manoogian [b. 1936], Detroit, MI, 1980; purchased by a private foundation for Crystal Bridges Museum of American Art, Bentonville, AR, 2004
Label TextWhile A Tight Fix first appears to embody American frontier mythology and rugged masculinity, the painting also references tensions and uncertainty over slavery. The man and bear in the foreground are at an impasse—both are injured, and neither combatant is winning.

Viewers in mid-nineteenth-century America may have been particularly sensitive to an impasse between white and Black fighters. Arthur Fitzwilliam Tait painted the scene during the fierce but deadlocked war over slavery in the Kansas Territory.

Aunque en un principio Un gran aprieto parece ser la materialización de la mitología de la frontera estadounidense y de la masculinidad ruda, el cuadro también referencía las tensiones y la incertidumbre sobre la esclavitud. El hombre y el oso en primer plano están en una encrucijada, ambos están heridos y ninguno de los dos combatientes va ganando.

Es posible que los espectadores de los Estados Unidos de mediados del siglo XIX fueran especialmente sensibles a la encrucijada entre los combatientes blancos y negros. Arthur Fitzwilliam Tait pintó la escena durante la intensa, pero estancada, guerra por la esclavitud en el territorio de Kansas.