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Hammer and Sickle

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Photography by Edward C. Robison III.
Hammer and Sickle
Photography by Edward C. Robison III.

Hammer and Sickle

Artist (1928 - 1987)
Date1977
MediumAcrylic and screen print on canvas
Dimensions72 x 86 in. (182.9 x 218.4 cm)
ClassificationsPainting
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2012.495
Signedon the overlap: [signed] 1977
Accession number 2012.495
On View
Not on view
ProvenanceWilliam Copley, New York, NY; (Sotheby’s, New York, NY), May 3, 1989, lot 317; Reinhard Onnasch, Berlin, Germany; to Private Collection; to (Christie’s, New York, NY), May 14, 2003, sale 1232, lot 26; Private Collection, 2003; to (Sotheby’s, New York, NY, November 13, 2012), sale N08900, lot 35; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2012
Label TextAndy Warhol painted Hammer and Sickle after a 1975 visit to Italy, where the communist symbol appeared in graffiti throughout Milan and Rome. He realized the symbol had become a Pop image on its own. Even though he denied any political ties to his work, he was aware of the power of the communist emblem he painted during the Cold War. The symbol’s long, menacing shadows, rough outlines, and large size make this painting appear to be an ironic commentary on communism. Warhol later produced different silkscreen variations of the hammer and sickle, demoting the symbol to an everyday consumable object.
Photography by Edward C. Robison III
Andy Warhol
1985
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III
Andy Warhol
1983
Photography by Edward C. Robison III.
Andy Warhol
1962