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Two Heads

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Photography by Dwight Primiano
Two Heads
Photography by Dwight Primiano

Two Heads

Artist (1868 - 1932)
Dateca. 1928
MediumOil on canvas mounted on board
Dimensions29 3/4 x 19 1/2 in. (75.6 x 49.5 cm)
Framed: 37 3/4 in. × 27 1/2 in. × 2 in.
ClassificationsPainting
Credit LinePromised Gift to Crystal Bridges Museum of American Art, Bentonville, Arkansas
Signedu.r., in gray paint: A. H. Maurer
On View
Not on view
Label TextAround 1925 Maurer began a series of female head portraits, which he depicted singly or in pairs, like in Two Heads. The two figures with their exaggerated proportions and expressive brushwork combine early-Cubist and Expressionist influences. The women’s elongated, oval heads; long, column-shaped necks; and large, dark eyes are reminiscent of portraits by Amedeo Modigliani, an Italian painter who was in Paris at the same time as Maurer. The long, angular noses accentuate the figures’ large, haunting eyes that gaze beyond the picture plane into an empty space.

Like in his other “Twin” portraits, the two female figures are very close and look almost identical. Their mask-like facial expression reflects Maurer’s interest in African masks and sculptures and his knowledge of Picasso’s work. Maurer was more interested in formal investigations than in painting accurate, realistic likenesses of women. His tantalizing paired heads have been interpreted by some as expressions of an internal struggle or an attempt to explore the subconscious regions of the mind.
Inscribedverso: [title]
Photography by Dwight Primiano
Alfred Maurer
ca. 1930
Photography by Robert LaPrelle
Alfred Maurer
ca. 1904
Photography by Edward C. Robison III.
Alfred Maurer
1904
Photography by Edward C. Robison III.
Alfred Maurer
1901
Photography by Edward C. Robison III
Alfred Maurer
ca. 1902
Photography by Edward C. Robison III
Alfred Maurer
n.d.
Photography by Dwight Primiano
Thomas Wilmer Dewing
1917
Photography by Dwight Primiano
George Winter
1837
Photography by Edward C. Robison III
Marsden Hartley
ca. 1912-1913
Photography by Dwight Primiano
Thomas Hart Benton
1930