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American Chipmunk

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Photography by Edward C. Robison III
American Chipmunk
Photography by Edward C. Robison III

American Chipmunk

Artist (1785 - 1851)
Date1843
MediumHand-colored lithograph
Dimensionssheet: 27 1/2 × 22 in. (69.9 × 55.9 cm)
mat: 36 × 30 in. (91.4 × 76.2 cm)
Framed: 37 1/2 in. × 31 in. × 1 3/4 in.
mat opening: 23 1/2 × 18 1/4 in. (59.7 × 46.4 cm)
ClassificationsPrint
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2006.28
Signedl.l., in ink: Presented to James Henry Carleton of the U.S. Dragoons / Oct. 9th 1843 by his friend & servant / John J. Audubon
Accession number 2006.28
DescriptionProof plate from The Viviparous Quadrupeds of North America
On View
Not on view
Collections
Provenanceto James Henry Carleton [1814-1873], October 9, 1843; to Susan Carleton (his sister), October 16, 1845; (The Old Print Shop, New York, NY), 1971; (William Reese Company, New Haven, CT, William Reese Collection of American Color Plate Books); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2006
Label TextAudubon’s American Cross Fox, American Chipmunk, and Wildcat are all part of his publication The Viviparous Quadrupeds of North America (1845-1854), which was his last major accomplishment and consisted of 150 watercolors and oil paintings of North American mammals. After completing his Birds of America, Audubon went on his final drawing expedition up the Missouri River to Fort Union in the summer of 1843. The resulting publication was the first major attempt to document all four-footed animals of North America. John James Audubon and his son, John Woodhouse Audubon, each created about half of the animal drawings. His oldest son, Victor Gifford Audubon, illustrated most of the backgrounds. Family friend and naturalist John Bachman contributed the scientific information, wrote the texts for all three volumes, and gave the work its scientific validity. The project faced serious challenges: Audubon was rapidly aging, and the trip did not produce the in-depth research Bachman felt was necessary. John Woodhouse saved the project by traveling to Texas to collect and study southern mammals, and then to Europe to supplement missing information by drawing specimens from collections there.
Inscribedl.l., in pencil: No 2 Plate 8.
l.c., in pencil: Tamias Lysterii—Ray. / Chipping Squirrel, Hackee, etc. / Males, female and young
l.r., in ink: Presented to his dear sister Susan / by her affectionate brother James Henry Carleton / Fort Scott, Mo. / October 16, 1845
Photography by Edward C. Robison III
John James Audubon
1843
Photography by Edward C. Robison III
John James Audubon
1843
Photography by Edward C. Robison III
John James Audubon
1835
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John James Audubon
1826
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Henry James Warre
1848
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Henry James Warre
1848
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Henry James Warre
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James Penney
1933
Photography by Edward C. Robison III.
James Penney
1932
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James Baare Turnbull
1941
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James Edmund Allen
1937