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In a Piegan Lodge

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In a Piegan Lodge
Image Not Available for In a Piegan Lodge

In a Piegan Lodge

Artist (1868 - 1952)
Date1910
MediumPhotogravure
ClassificationsPrint
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2005.28.188
Accession number 2005.28.188
DescriptionPlate 188
On View
Not on view
Provenance(William Reese Company, New Haven, CT); purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2005
Label TextCurtis intended to capture native tribes with his camera before they became assimilated into modern Anglo-American culture. However, there are several images in The North American Indian that reveal the artist’s efforts to shape his photographs of “authentic” Indian life. In some of his portraits, for example, Curtis dressed his sitters in traditional tribal garments that were no longer worn or were reserved for special rituals.

Even after staging and taking an image, Curtis sometimes manipulated his work to perpetuate the ideal of a primitive Native American culture. Prints made from the original negative for In a Piegan Lodge show a clock on the floor between Little Plume and his son Yellow Kidney, amongst the traditional native wares including a pipe and a tobacco cutting board. Curtis removed the clock from the negative before printing it for The North American Indian to suggest that the tribe remained untouched by the outside world.