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Mountain Landscape (Root Memorial Window)

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Photography by Edward C. Robison III.
Mountain Landscape (Root Memorial Window)
Photography by Edward C. Robison III.

Mountain Landscape (Root Memorial Window)

Maker (1902 - 1932)
Date1917
MediumLeaded glass, lead came, and copper foil
Dimensions110 × 93 in. (279.4 × 236.2 cm)
ClassificationsDecorative Arts
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2025.3
Signedl.r.: Tiffany Studios / New York 1917
Accession number 2025.3
On View
On view
Provenancecommissioned as a memorial to Joseph Cullen Root for Woodmen of the World Building, Omaha, NE, 1917; relocated to William A. Fraser Chapel, Woodmen of the World Memorial Hospital, San Antonio, TX, 1931; purchased with chapel by Sunset Ridge Church of Christ, San Antonio, TX, 1959; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2025
Label Text
By the early 1900s, Tiffany Studios had become a household name in American art thanks to its cutting-edge techniques and intricate designs. Tiffany’s chemists and craftspeople incorporated color directly in their glass, using experimental formulas to create kaleidoscopic hues and layering multiple panes to produce dazzling visual effects.

Agnes F. Northrop, one of Tiffany’s leading designers, created this mountain view using rippled, marbled, and mottled glass to render its cascading waterfall, moss-covered rocks, and autumn leaves. In its original architectural setting, the window would come alive at different times of day—beaming with a warm sunrise or shimmering in cool twilight.

Commissioned by the Woodmen of the World, one of the first life insurance programs in the US, the window was a memorial to the group’s founder Joseph Cullen Root. First installed at the Woodmen’s Nebraska headquarters, it was relocated to the chapel of the organization’s newly built hospital in San Antonio, Texas, in 1931. This site later became home to Sunset Ridge Church and Collective, which collaborated closely with Crystal Bridges on the window’s relocation and conservation.

A principios del siglo XX, Tiffany Studios se había convertido en un nombre muy conocido en el mundo del arte estadounidense gracias a sus técnicas innovadoras y sus diseños sofisticados. Los químicos y artesanos de Tiffany incorporaban el color directamente en el vidrio utilizando fórmulas experimentales para crear tonos caleidoscópicos y superponiendo múltiples capas para producir efectos visuales deslumbrantes.

Agnes F. Northrop, una de las principales diseñadoras de Tiffany, creó esta vista de una montaña utilizando vidrio ondulado, marmoleado y moteado para representar su cascada, las rocas cubiertas de musgo y las hojas otoñales. En su entorno arquitectónico original, la ventana cobraba vida a distintas horas del día, resplandeciendo con la cálida luz del amanecer o brillando con el fresco crepúsculo.

Este vitral, creado por encargo de Woodmen of the World, uno de los primeros programas de seguros de vida de EE. UU., era un homenaje al fundador del grupo, Joseph Cullen Root. Inicialmente fue instalado en la sede de Woodmen en Nebraska, pero en 1931 fue trasladado a la capilla del hospital recién construido por esta organización en San Antonio, Texas. Más tarde, este lugar se convirtió en la sede de la Iglesia y el Colectivo Sunset, que colaboró estrechamente con Crystal Bridges en el traslado y la conservación del vitral.