Skip to main content

Self Portrait/Pulp

Collections Menu
Photography by Steven Watson
Self Portrait/Pulp
Photography by Steven Watson

Self Portrait/Pulp

Artist (1940 - 2021)
Date2001
MediumColored pressed handmade paper pulp consisting of eleven various grays
Dimensions57 x 40 in. (144.8 x 101.6 cm)
Framed: 63 in. × 46 1/2 in. × 2 1/2 in.
ClassificationsPrint
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2009.16
Signedl.c.: Chuck Close
Accession number 2009.16
On View
Not on view
Provenance(Pace Editions, New York, NY); to Mary Schiller Myers [1922-2008], Akron, OH, March 2004; to Estate of Mary Schiller Myers, 2008; to (Sotheby's, New York, NY), November 12, 2009, lot 146; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2009
Label TextAfter a seizure left Chuck Close paralyzed, he developed a new technique for making art that utilized pixel-like units to convey photographic detail. To create this image, the artist squeezed paper pulp through a template. Stand close to see the small bits of different colors of gray: when seen from a distance, they combine to form a portrait.

This picture represents Close’s identity as a painter, which he had to fight to maintain in the wake of his medical issues. Reflecting on this process, Close said, “What are the two great fears of a painter? That you’re going to lose your eyesight or that you’re going to lose the use of your hands. What I found out was that I could make art without my hands and that I was lucky, I already knew how to paint. If you already know how to do something, you can figure out some way to get back to it.”
Inscribedrecto, l.l.: 3/35
recto, l.r.: 2001
Photography by Steven Watson
Chuck Close
2009
Photo: Ryan Carroll.
Angela Drakeford
2014
Photography by Edward C. Robison III
Susan Hauptman
1994
Photography by Edward C. Robison III
Vincent Desiderio
2000
Photography by Edward C. Robison III.
Harry Sternberg
1932
Photography by Edward C. Robison III
Paul Cadmus
1935