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Self Portrait/Pulp

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Photography by Steven Watson
Self Portrait/Pulp
Photography by Steven Watson

Self Portrait/Pulp

Artist (1940 - 2021)
Date2001
MediumColored pressed handmade paper pulp consisting of eleven various grays
Dimensions57 x 40 in. (144.8 x 101.6 cm)
Framed: 63 in. × 46 1/2 in. × 2 1/2 in.
ClassificationsPrint
Credit LineCrystal Bridges Museum of American Art, Bentonville, Arkansas, 2009.16
Signedl.c.: Chuck Close
Accession number 2009.16
On View
Not on view
Provenance(Pace Editions, New York, NY); to Mary Schiller Myers [1922-2008], Akron, OH, March 2004; to Estate of Mary Schiller Myers, 2008; to (Sotheby's, New York, NY), November 12, 2009, lot 146; purchased by Crystal Bridges Museum of American Art, Bentonville, AR, 2009
Label TextAfter a seizure left Chuck Close paralyzed, he developed a new technique for making art that utilized pixel-like units to convey photographic detail. To create this image, the artist squeezed paper pulp through a template. Stand close to see the small bits of different colors of gray: when seen from a distance, they combine to form a portrait.

This picture represents Close’s identity as a painter, which he had to fight to maintain in the wake of his medical issues. Reflecting on this process, Close said, “What are the two great fears of a painter? That you’re going to lose your eyesight or that you’re going to lose the use of your hands. What I found out was that I could make art without my hands and that I was lucky, I already knew how to paint. If you already know how to do something, you can figure out some way to get back to it.”
Inscribedrecto, l.l.: 3/35
recto, l.r.: 2001
Photography by Steven Watson
Chuck Close
2009
© Grandma Moses Properties
Grandma Moses
1951
© Grandma Moses Properties
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